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Lockdown Still Life

During the first national lockdown I was struggling to find inspiration to continue my main body of work in the confines of my flat. I started to take in my surroundings which gave me a feeling to paint from life. Finding inspiration from my various possessions I developed an interest in painting objects placed a box. I felt that I myself, wasn’t much different to the object.


© 2020 Dottie-May Aston, Toby Reclines.

I found myself intrigued by metal objects, a subject that reappears in these paintings is the Toby Jug. These objects are quite the contrast to the fruit that I painted a year earlier. I enjoyed the freedom of not worrying about my subject degrading overtime it allowed me to scrutinise over each painting.


© 2020 Dottie-May Aston, Toby and His Jug.

I enjoyed the challenge of painting a metallic object. The colour varies depending on what type of light source you project onto it. It was with these paintings that I started to experiment with the perception of what objects are. The relationship between two metallic objects is very intriguing to me, the reflections quite literally bounce off each other giving me an endless choice of possibilities for painting.


© 2020 Dottie-May Aston, Untitled.

I put objects out of their context as a way to challenge the viewer, that is why I left the painting above untitled. In this sense I am inviting the viewer to make their own interpretations of what they see in the image without limiting the answer to my own understanding. At this stage I found myself letting go of the stigma surrounding still life painting. Beginning to enjoy the freedom of expression through a genre that has nearly exclusively been represented by food.


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Painting Uncategorized

Object Painting

At the start of term, my painting tutor suggested that I paint objects without thinking of them as a still life. With this feedback I then went on to portray two paintings, one a rosebud, and the other a Murex shell. While painting the Murex I decided to video it using my phone as a time-lapse. This is the first time I have filmed the development of my paintings. As odd as it may sound, I found it interesting to see myself work. There are some painting decisions that I can’t remember making, some of which I regret. For example, I repainted the shell after destroying it when painting the background. In hindsight I should have focused on the backdrop before detailing. Despite this I am glad I made these mistakes, through this experience I have learned more about my process. Please let me know if there is anything that you think I should have painted differently.


Object Murex