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My Friend Still Life

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Still life, how and why, we became friends. Although I had drawn objects from life, I never really thought of them as still-lives. Until the second term of my first year, when I produced this series of oil paintings. These paintings were done after I suffered the bereavement of fellow student and friend – only two days before the start of the Easter semester. During the first lesson, I could not think of anything but what happened a few days before. Everything my tutor said seemed to trigger me.

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© 2021, Dottie-may Aston, The Lone Fig.

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The subject for this painting workshop was to paint an apple, the painting I did was awful. At the end of the class my tutor suggested that we all produce at least one fruit painting by the next week. So on my way home, I picked up some fruit and painted them that night. I painted the same apples over and over again to prove to myself that I could paint an apple well, because I had failed so miserably in class. The following painting is my favourite that I have done of an apple.

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© 2021, Dottie-may Aston, Co-dependent Couple.

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I surprised myself with the amount of enjoyment I got from these paintings, I had never really thought much of still life. But whilst painting I found satisfaction in their subtle positions and giving them personalities. After that term I drifted away from still life until the first national lockdown. When, for a painting workshop, I painted a bat – I will tell you more about that painting another day. After that I started to paint the objects around me. I settled for a while on the inspiration of shell formations – find out more about these paintings here.

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© 2021, Dottie-may Aston, fruit painting.

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Painting Uncategorized

Me and My Blue Devils

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I don’t say everything, but I paint everything.

Pablo Picasso
© 2020 by Dottie-May Aston, Blue studio.

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My blue period is a series of paintings where I have used the human body to express personal traumatic experiences featuring things that are otherwise sensitive for me to describe…

© 2020 by Dottie-May Aston, Blue.

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But because I decided to use the human figure and not random shapes, my tutor’s disregarded these paintings as “college art” and not “real art”. I found these comments difficult but I know there is truth to these words, so after their feedback, I have decided to let go and lose all care of if the future viewers understand my work. I will be posting these blue paintings regardless, explaining the concepts.